About
The serif counterpart to humanist sans Ceno, Meso is based on the same ‘Essential Form’ of Edward Johnston’s Underground lettering, but with added wedge-shaped serifs that dramatically ramp up in scale and expression in ascending weights. Inspired by Percy Delf Smith’s serif update of Johnston’s design, and experimental serifs of the 1970s, Meso’s personality transitions from highly genteel in lighter weights, to a punchy and playful heavier end. With its uniquely low contrast, Meso excels as both a display and text face, aided by a wealth of of 16 styles, including italics at a dramatic angle of 18 degrees.
16 Styles
- ThinThin Italic
- ExtralightExtralight Italic
- LightLight Italic
- RegularRegular Italic
- BookBook Italic
- MediumMedium Italic
- BoldBold Italic
- BlackBlack Italic
Specification
+
A
A
- A
Uppercase
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
- Z
Lowercase
- a
- b
- c
- d
- e
- f
- g
- h
- i
- j
- k
- l
- m
- n
- o
- p
- q
- r
- s
- t
- u
- v
- w
- x
- y
- z
Accented
- À
- Á
- Â
- Ã
- Ä
- Å
- Ā
- Ă
- Ą
- Æ
- Ç
- Ć
- Ĉ
- Ċ
- Č
- Ď
- Đ
- È
- É
- Ê
- Ë
- Ē
- Ĕ
- Ė
- Ę
- Ě
- Ĝ
- Ğ
- Ġ
- Ģ
- Ĥ
- Ħ
- Ì
- Í
- Î
- Ï
- Ĩ
- Ī
- Ĭ
- Į
- İ
- IJ
- Ĵ
- Ķ
- Ĺ
- Ļ
- Ľ
- Ŀ
- Ł
- Ð
- Ñ
- Ń
- Ņ
- Ň
- Ŋ
- Ò
- Ó
- Ô
- Õ
- Ö
- Ō
- Ŏ
- Ő
- Ø
- Ǿ
- Œ
- Þ
- Ŕ
- Ř
- Ś
- Ŝ
- Ş
- Ș
- Š
- ẞ
- Ţ
- Ť
- Ț
- Ŧ
- Ù
- Ú
- Û
- Ü
- Ũ
- Ū
- Ŭ
- Ů
- Ű
- Ų
- Ŵ
- Ẁ
- Ẃ
- Ẅ
- Ý
- Ỳ
- Ŷ
- Ÿ
- Ź
- Ż
- Ž
Accented Lowercase
- à
- á
- â
- ã
- ä
- å
- ā
- ă
- ą
- æ
- ǽ
- ç
- ć
- ĉ
- ċ
- č
- ď
- đ
- è
- é
- ê
- ë
- ē
- ĕ
- ė
- ę
- ě
- ĝ
- ğ
- ġ
- ģ
- ĥ
- ħ
- ì
- í
- î
- ï
- ĩ
- ī
- ĭ
- į
- ı
- ij
- ĵ
- ķ
- ĺ
- ļ
- ľ
- ŀ
- ł
- ð
- ñ
- ń
- ņ
- ň
- ŋ
- ò
- ó
- ô
- õ
- ö
- ō
- ŏ
- ő
- œ
- ø
- þ
- ŕ
- ŗ
- ř
- ś
- ŝ
- ş
- š
- ß
- ţ
- ť
- ŧ
- ù
- ú
- û
- ü
- ũ
- ū
- ŭ
- ů
- ű
- ų
- ŵ
- ẁ
- ẃ
- ẅ
- ý
- ỳ
- ŷ
- ÿ
- ź
- ż
- ž
Default
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
Old Style Numerals
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
Light
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
- Z
Dark Circled
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
- Z
Punctuation
- .
- ,
- :
- ;
- …
- “
- ”
- ‘
- ’
- „
- ‘
- ”
- "
- &
- ?
- !
- ¿
- ¡
- @
- «
- »
- ‹
- ›
- -
- –
- —
- _
- ·
- •
- (
- )
- [
- ]
- {
- }
- 〔
- 〕
- 【
- 】
- /
- |
- \
- #
- ©
- ®
- ™
- ℠
- *
- †
- ‡
- §
- ¶
- #
Mathematics
- <
- >
- ≤
- ≥
- +
- −
- ×
- ÷
- =
- ≠
- ±
- ~
- ≈
- ¬
- ∞
- ⁄
- %
- ‰
- √
- ∫
- ∂
- ∏
- Δ
- Ω
- ∑
- μ
- π
Currency
- ₿
- ฿
- €
- £
- ₦
- ₭
- ¥
- ₽
- ₩
- $
- ¢
- ₫
- ¤
Case
- ¿
- ¡
- @
- ‹
- ›
- «
- »
- -
- –
- —
- ·
- (
- )
- [
- ]
- {
- }
- /
- |
- ¦
- \
Arrows + Symbols
- ←
- ↑
- →
- ↓
- ↖
- ↗
- ↘
- ↙
- ↩
- ↪
- ↰
- ↱
- ↲
- ↳
- ↴
-
- ←
- ↑
- →
- ↓
- ↖
- ↗
- ↘
- ↙
- ↩
- ↪
- ↰
- ↱
- ↲
- ↳
- ↴
- ▲
- △
- ▴
- ▵
- ▶
- ▼
- ▽
- ◀
- ◂
- ◃
- ◊
- ○
- ●
- ■
- ▪
- ◌
- ⬚
- ⮜
- ⮞
- ⮝
- ⮟
- ⮘
- ⮚
- ⮙
- ⮛
Alternative Arrows
- ←
- ↑
- →
- ↓
- ↖
- ↗
- ↘
- ↙
- ↩
- ↪
- ↰
- ↱
- ↲
- ↳
- ↴
-
- ←
- ↑
- →
- ↓
- ↖
- ↗
- ↘
- ↙
- ↩
- ↪
- ↰
- ↱
- ↲
- ↳
- ↴
Ligatures
- fi
- ff
- ffi
- ffl
- ft
- tt
- fft
Superior / Superscript
- 0
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
Inferior / Subscript
- 0
- 0
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
Pre-Built Fractions
- ½
- ⅓
- ¼
- ⅛
- ⅔
- ¾
- ⅜
- ⅝
- ⅞
Ordinals
Name
In Use
Standard Ligatures
.liga
Ligatures create a more harmonious design for certain letter combinations. Standard ligatures are activated by default.
Fluffier fluffs
Fluffier fin
ff ffi
▸
Fluffier fluffs Fluffier fin ff ffi
Discretionary Ligatures
.dlig
Discretionary ligatures are more decorative than standard ligatures. They can be activated in the OpenType panel.
Offtrack lifts
afternoons
ft fft
▸
Offtrack lifts afternoons ft fft
Stylistic Set 01
.ss01
Single storey lowercase a: A simpler, more geometric form. Suitable when more warmth is required for its usage.
Chubacabra
Arimathea
heat
▸
Chubacabra Arimathea heat
Stylistic Set 02
.ss02
Double storey lowercase g: A more complex alternate to the (default) single storey g. A nod to the typeface’s humanist roots.
The Sighting
UFO Sighting
A Sighting
sight
▸
The Sighting UFO Sighting A Sighting sight
Stylistic Set 03
.ss03
Humanist lowercase t: Recommended in conjunction with a double storey lowercase g (ss02), taking the typeface back to its humanist roots.
Patom crater
Gravity Hill
test
▸
Patom crater Gravity Hill test
Stylistic Set 04
.ss04
Curled lowercase y: A friendly alternate that can be paired with or without the single storey lowercase a (ss01).
Sea mystery
A mystery?
rays
▸
Sea mystery A mystery? rays
Stylistic Set 05
.ss05
Flat uppercase M: More noticeable within the heavier weights, a more paired back solution when the default M feels too pointed.
SLIME MOLD
Meteorites
May
▸
SLIME MOLD Meteorites May
Stylistic Set 06
.ss06
Titling dieresis - Useful when using dieresis, but tight leading is required.
RÜCKÄUßER
MÜHSELIG
ÄÖÜ
▸
RÜCKÄUßER MÜHSELIG ÄÖÜ
Stylistic Set 07
.ss07
Alternate ampersand 1: The more cultural, energetic option. It’s shape is reminiscent of the origins of the ampersand, an ‘et’ ligature.
Art & Culture
Bread & Wine
High & Low
A&BC
▸
Art & Culture Bread & Wine High & Low A&BC
Stylistic Set 08
.ss08
Alternate ampersand 2: A more classic option, characterised by a cut in the top counter.
Art & Culture
Bread & Wine
High & Low
A&BC
▸
Art & Culture Bread & Wine High & Low A&BC
Stylistic Set 09
.ss09
Alternate question mark: A pronounced and more playful curve that meets the vertical.
¿Cómo llego?
¿Quién es?
¿Q?
▸
¿Cómo llego? ¿Quién es? ¿Q?
Stylistic Set 10
.ss10
Alternate @: Essentially a circled a, optically adjusted to match the weight of the style.
jc@sociotype
hi@s-t.com
@s-t
▸
jc@sociotype hi@s-t.com @s-t
Stylistic Set 11
.ss11
Slashed zero: To ensure no confusion can be made with the letter o, but also when the user wants to create a more technical feel.
0 01 0000 🄋🄌
0 01 0000 🄋🄌
01 01 00 🄋🄌
0 00 🄌
▸
0 01 0000 🄋🄌 0 01 0000 🄋🄌 01 01 00 🄋🄌 0 00 🄌
Stylistic Set 12
.ss12
Circled Numerals - White: Appropriate for captions or wayfinding signage. These have been optically adjusted to maintain weight after scale has been reduced.
ABC 1234
ABC–123
A12
▸
ABC 1234 ABC–123 A12
Stylistic Set 13
.ss13
Circled Numerals - Black: Appropriate for captions or wayfinding signage. These have been optically adjusted to maintain weight after scale has been reduced.
XYZ 5678
XYZ–456
YZ9
▸
XYZ 5678 XYZ–456 YZ9
Stylistic Set 14
.ss14
Solid arrow heads: These alternates appear to be a little more ‘friendly’ than their default counterparts.
↑↓↔↗↘↙↪↳↴
↑↓↗↘↙↪↳↴
↑→↪
▸
↑↓↔↗↘↙↪↳↴ ↑↓↗↘↙↪↳↴ ↑→↪
All Caps
.case
Shifts various punctuation marks and brackets to a position that works better with all-capital sequences.
〈{[(〔【@st】〕)]}〉
〈{[(【@m】)]}〉
〈{[(〔【s
▸
〈{[(〔【@st】〕)]}〉 〈{[(【@m】)]}〉 〈{[(〔【s
Old Style Figures
.osf
Most suited within body copy, old style figures increase legibility at small scale and reduce emphasis.
0123456789
123456789
1962
▸
0123456789 123456789 1962
Tabular Old Style Figures
tosf
Tabular Old Style Figures is an option when you like the look of figures with varying heights but you need the numbers to line up in columns such as in financial documents, tables, charts, or numbered lists.
0123456789
123456789
1962
▸
0123456789 123456789 1962
Fractions
.numr + .dnom
An OpenType feature that allows endless possibilities for fractions.
1/2 + 34/567
1/2 + 34/76
2/34
▸
1/2 + 34/567 1/2 + 34/76 2/34
Superscript + Subscript
.sups + .subs
Most often used in formulas, mathematical expressions, and specifications of chemical compounds. The same feature for superior and inferior numerals.
5m2 (C43H21)
5m2 (C4H1)
d2n3
▸
5m2 (C43H21) 5m2 (C4H1) d2n3
Ordinal Indicators
.ordn
Indicators that represent position or rank in a sequential order. Note: Typical ordinals are setup as .ordn, but here a full lowercase is available within .subs + .sups (superscript + subscript).
1a 2nd 3rd 4e
1a 2nd 43rd
56th
▸
1a 2nd 3rd 4e 1a 2nd 43rd 56th
Contextual Alternates
.calt
To speed up usage for some common symbols.
<- 87x65x4 ->
<- 98x6x1 ->
<- ->
▸
<- 87x65x4 -> <- 98x6x1 -> <- ->